Mastering Arpeggios Part 2 - TABS ONLY
This follow-up to Mastering Arpeggios picks up where that instruction left off, introducing and covering everything you need to know about the five essential seventh-chord arpeggio qualities: major seven, dominant seven, minor seven, minor-seven flat-five and diminished seven. Again focusing on the popular guitar key of G, your instructor, longtime Guitar World Senior Music Editor Jimmy Brown, presents all possible fretboard positions and two-octave fingering patterns for these arpeggios and shows you ways to transpose them to any other key, either by progressing through the cycle of fourths/fifths or taking each shape you’ve learned and moving up or down the fretboard chromatically (in one-fret increments). Jimmy then shows you extended two-notes-per-string “monster” patterns that move diagonally up and across the neck, spanning three octaves. Also covered are the seven diatonic seventh-chord arpeggios that live in the key of G major, demonstrated in all positions, and interval patterns of fourths, fifths, sixths and sevenths applied to the arpeggios. The lesson product concludes with an entertaining performance of an original interpretation and tab arrangement of “Presto” from “Sonata 1 For Solo Violin” by Johann Sebastian Bach, which serves as an effective and musically satisfying practice piece.
Instructor Name: Jimmy Brown
Genres: Acoustic, Classical, Jazz, Lead, Metal, Rock, Shred
Guitar Types: Electric
Techniques Used: alternate picking, arpeggios, hammer-ons, hybrid picking, position shifts, pull-offs, string skipping, sweep picking, wide fret-hand stretches