Chapter 6: Poly-Science – Combinimg triad arpeggios to form polytonal chordal allusions - NewBay Media Online Store

Chapter 6: Poly-Science – Combinimg triad arpeggios to form polytonal chordal allusions

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Chapter 6: Poly-Science – Combinimg triad arpeggios to form polytonal chordal allusions

Description:

Building upon the previous lesson, John continues demonstrating ways in which he often combines and superimposes various triad arpeggios over varying toanl centers to create more harmonically complex and rich-sounding poly-chordal ideas. The guitarist shows you how to superimpose various triads over different bass notes, which effectively changes the harmonic functions of the notes played so that they imply different harmonic colors that are uncommon in most rock music, while still retaining melodic shapes that are more familiar to most rock and metal lead guitarists.

Genre:

Hard Rock / Metal, Lead, Metal, Prog, Rock, Shred

Difficulty:

Advanced

Tuning:

Standard

Techniques Used:

alternate picking, arpeggios, bending, chords, finger slides, hammer-ons, pull-offs, string skipping, vibrato

Artist:

John Petrucci, Dream Theater

Run Time:

7:11


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